Charlotte Beatty Tag

When I think about what draws me most to research, I think about how it illuminates human nature. UX research brings a sense of humanity back into products and concepts that may have only existed as incubating ideas within a product development team. It can be a grounding force that adds a human sensibility to the conversation around how to design an app or build an online space. It reminds us of what everyday, lived experiences look like for people like you and I, and the importance of considering them in the design process.

In the fast-paced world of tech and UX, researchers and designers often need to find clear patterns of human identity development and behavior, quickly. But as much of our team at Fluent can tell you, sometimes the most interesting findings and data can emerge from bizarre, unique, outlier instances. When we approach data with curiosity and don’t impose patterns or internalized bias on our findings, we can discover new findings that take our work to a deeper level and usher in innovation.

Discovering novelty in the unique always makes me think of queer theory. In my anthropological studies, like many other young social scientists, I was enamored with theorists like Judith Butler, Eve Sedgwick, and Audre Lorde, who all offered up new ways of understanding identity. Queer theory and queer frameworks lend themselves to thinking about the world and identity-making in new ways, and remind us that we should push back on and think beyond reductive binaries. This is not to say that creating categories and labels is wholly bad. In fact, as UX researchers, it is often our job to create categories, personas, and labels out of raw data that our clients and partners can use to inform their work.

But as I reflect on queerness this June, I am once again thinking about having consideration for the outlier. Fluent often works with children and teens, and it is worthwhile to consider that Gen Z currently has the largest ratio of LGBTQ+ individuals in comparison to older generations, a trend that is expected to continue. What does this mean for our work as researchers?

It means that we need to pay extra close attention to the unique, the novel and the outliers. Beyond buzzwords and news clickbait, there is a significant shift occurring in how younger individuals consider their identity, especially when it comes to gender and sexuality. There have been discussions in research circles, for example, about Gen Z’s rejection of labels. We see this mirrored in Gen Z culture – public figures like Billie Eilish, Joshua Bassett, Ice Spice, and Phoebe Bridgers exist as queer individuals with little to no fanfare about waving a specific label or placing themselves in a certain category.  This differs from older generations of LGBTQ+ individuals, who grew up in an entirely different cultural landscape of labeling, self-disclosure, and the intentions and consequences tied to both.

It seems to me that every Pride month, the etymology of what’s in a label always comes up in community discussions. As a researcher and a queer person, it always feels like an ironic intersection of my personal and professional life.

In research circles, making research more inclusive is a topic that is being explored more and more every day. While this can include concrete steps, like changing the options for identity identification on a survey, I think it also needs to include ideological exploration. In other words: as a qualitative researcher, classically, I think we need to try and understand the WHY just as much as we are observing the WHAT. And as we look to emerging populations like Gen Z and Gen Alpha, I encourage the research community to table bias and prior knowledge, and pay extra close attention to what may exist outside of the categories, ideologies, and binaries we may be imposing on our participants, and on our findings.

By Charlotte Beatty, User Experience Researcher

In 2021, Chris McCarthy, the president and CEO of Viacom-CBS and MTV Networks, launched the Mental Health Storytelling Coalition and the publication of the Mental Health Media Guide. The purpose of the guide is to teach content creators how to develop more positive mental health storylines that include a diverse range of experiences. With the release of “Wolf Pack,” the first scripted series using the guide’s recommendations, Fluent’s UX Researcher Charlotte Beatty shares her thoughts about the impact of media on teen wellbeing and the implications for the guide on developing storylines that change the narrative on mental health.

“Wolf Pack” is the first scripted series from MTV Entertainment Studios to incorporate the guide. The writers room also worked with consultant Courtney Knowles, senior media advisor for The JED Foundation (JED), a Fluent client and a nonprofit geared toward protecting emotional health and preventing suicide that is particularly geared toward teens.

Most of us will never forget the movies, TV shows, music, and media that made an impact on us as teenagers. Adolescence is a period where individuals are searching for meaning and self-discovery, and nothing feels better than finding a piece of art that makes you feel seen. For about half of the population, adolescence is also a period where mental illness symptoms begin to appear, typically anywhere between ages 14-24.

At Fluent, we talk to teenagers every day about experiences with growing up, mental health, and the media for clients such as JED. In recent years, shows like Euphoria, 13 Reasons Why, and Stranger Things have captured the attention of teenagers across the nation because of the different ways the shows tell stories about mental illness. Storytellers have experimented with a range of portrayals — from painful hyperrealism, as seen in Euphoria, to personifying mental illness with monsters and fantasy world building, such as with Vecna in Stranger Things. Reported rates of mental illness among teenagers have been on the rise, so it’s no wonder that these shows have garnered so much attention, whether it be praise or criticism.

In a post-pandemic world where teenagers are more tapped into media than ever before and having an “emotional support show” has become a regular turn of phrase, it’s exciting to dream of new ways that research can support production development in the film and television space. MTV and its collaborators are breaking exciting ground with their Mental Health Media Guide as they broach one of the most prominent and topical areas of contemporary television for teens. This progress builds on the legacy of research in media, initiated by researchers at The Joan Ganz Cooney Center and Sesame Workshop, but turns the conversation towards adolescence and mental wellbeing with a focus on considering realistic, positive solutions, and problem-solving when it comes to mental health storytelling.

By Charlotte Beatty

We’re excited to welcome two new team members to Fluent Research. Amber Gonzalez is a Quantitative Researcher and Charlotte Beatty is a User Experience Researcher.

Prior to joining Fluent, Amber worked at EDC’s Center for Children and Technology as a field researcher and at NYU School of Medicine’s Student Health Service, where she leveraged data-driven insights to expand mental health services for medical students.

Charlotte recently graduated from Boston University, where she studied the anthropology of health and medicine. For her undergraduate academic research, Charlotte designed and conducted an investigation into aspirations for marriage and family among Gen Z young adults. Check out Amber and Charlotte’s full bios on our website.